With such films as Last tango in Paris and 1900, Bernardo Bertolucci emerged in the 1970s as one of the most eminent--and controversial--directors of contemporary international cinema. Now Robert Phillip Kolker gives us the first full length study of this major filmmaker.
Although Bertolucci has made only nine feature films to date, these works testify to the complexity of his cinematic imagination. Kolker examines the films from a number of perspectives: historical, formal, and aesthetic. He analyzes Bertolucci's work in relation to that of his mentor, Pier Paolo Pasolini, and looks at his on-going aesthetic struggle with the key figure of.
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